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St.-Martins-Kirche

St.-Martins-Kirche Uplengen

St.-Martins-Kirche

St.-Martins-Kirche, nestled in the heart of Remels in the Uplengen municipality of Lower Saxony, Germany, is a captivating blend of history, architecture, and spirituality. Known locally as St. Martin, this church stands as a testament to the region's rich past and cultural heritage, offering visitors a glimpse into the medieval era while still serving as a vibrant place of worship today.

The History of St.-Martins-Kirche

The origins of St.-Martins-Kirche can be traced back to the early 13th century, during a time when Remels was a central meeting point for the Lengener Land's councilmen. This strategic location likely influenced the decision to construct a church here. The church is named after Saint Martin of Tours, a revered figure whose legacy continues to be honored by the community.

Throughout its history, St.-Martins-Kirche has been more than just a place of worship. It was initially built as a fortified church, a necessity due to its position on the fringe of East Frisia, bordering the Oldenburg region. The threat of raids and plundering by external forces necessitated the construction of defensive features, including a surrounding wall and gate towers.

The church's original structure, built with sturdy granite blocks, has undergone several transformations. Around 1300, significant changes were made, including the replacement of the western part of the nave and the apse with a new Romanesque-Gothic style rectangular space. This renovation introduced the use of brick and tuff, materials that were innovative for the time.

Architectural Highlights

St.-Martins-Kirche is a fascinating study in architectural evolution, with its structure clearly divided into three distinct phases. The oldest section, constructed from granite, forms the western part of the nave. A prominent construction seam marks the transition to the Gothic eastern section, which boasts pointed arch windows typical of the Gothic style.

In the late 19th century, the church saw the addition of a new brick tower, built in a historicist style. This 53.5-meter-high tower replaced two medieval predecessors and was necessary due to the deterioration of the original bell tower. The current tower, with its striking presence, is a key feature of the church’s silhouette.

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Exploring the Interior

Inside St.-Martins-Kirche, visitors are greeted by a serene atmosphere accentuated by the church's architectural details. The nave is topped with four domical vaults, reflecting the Gothic ideal of a celestial canopy. Traces of the original apse can still be discerned on the east wall of the western bay.

The church's interior decoration includes a beautiful acanthus leaf frieze in the chancel bay, a remnant of its pre-Reformation artwork. The intricate vine patterns on the east wall and chancel vault were added slightly later, further enhancing the church's aesthetic appeal.

Remarkable Art and Artifacts

St.-Martins-Kirche houses several noteworthy pieces of art and historical artifacts. The altarpiece, crafted around 1667 by Tönnies Mahler, depicts scenes from the life of Christ, including the Annunciation and the Last Supper. The predella features the four Evangelists, each with their symbolic attributes.

The church's baptismal font, dating back to the 13th century, is another highlight. Made from Bentheim sandstone, it rests on four supporting figures, possibly representing the subdued Old Adam. The font's bowl is adorned with a broad frieze of acanthus scrolls, adding to its historical charm.

The Enchanting Sound of Bells

The church's bell tower houses a trio of bells, with the oldest dating back to the 13th century. Dedicated to Mary, this bell is complemented by two additional bells cast by the Rincker bell foundry after World War II. Together, they produce one of the deepest chimes in East Frisia, resonating with a hauntingly beautiful minor chord.

The Organ: A Musical Treasure

Music enthusiasts will appreciate the church's organ, built in 1782 by Hinrich Just Müller. This instrument is unique in the region for featuring a Rückpositiv, a separate positive division believed to have been constructed by Johann Friedrich Constabel in 1733. The organ was restored to its original glory in the late 1970s, allowing visitors to experience its rich, historical sound.

In conclusion, St.-Martins-Kirche is not just a building; it is a living narrative of the past, echoing stories of faith, resilience, and community. Whether you're an architecture aficionado, a history buff, or simply a curious traveler, a visit to this church offers a profound connection to the medieval world and the enduring spirit of the people who have worshipped here for centuries.

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