The Martin-Luther-Kirche in Langen, Hessen, is a striking example of modern ecclesiastical architecture. Nestled in the charming district of Oberlinden, this church is more than just a place of worship; it is a testament to the innovative spirit of the 1960s and the community's dedication to creating spaces that inspire both spiritually and aesthetically.
The 1960s were a transformative era for Langen. The city saw the development of the Wohnstadt Oberlinden, a residential area southwest of the old town. The Nassauische Heimstätte, a housing association, was instrumental in this development. They not only focused on creating living spaces but also on enriching the community with cultural and religious buildings. It was under this vision that the Martin-Luther-Kirche was conceived.
In 1961, an architectural competition was held to design the new evangelical church. Hans Georg Heimel emerged victorious with his modernist design. Construction began in 1962 and by 1963, the Martin-Luther-Kirche was completed, ready to serve the spiritual needs of the community.
The Martin-Luther-Kirche stands out with its unique architectural features. The church is located west of Langen's old town and the north-south railway line that connects Frankfurt and Darmstadt. The church's structure is divided into two main parts: a cubic, high-closed nave to the south and a stilted campanile to the north.
The nave, with its flat roof, is a harmonious blend of exposed brick walls, concrete elements, and glass surfaces. The northern entrance features two prominent copper-clad portals that invite visitors into the sacred space. The interior is dominated by a concrete folded roof supported by four columns that taper downwards, giving the space a sense of grandeur and openness.
The church's interior is designed to be simple and unadorned, reflecting the modernist ethos. The northern end houses the organ gallery, while the southern end features the slightly elevated altar area. The altar is a solid stone block, and the wall behind it is adorned with a tapestry in shades of blue and violet. This tapestry, created by Fritz and Inge Dahle in their Darmstadt workshop, combines motifs of doves and fish with abstract color fields, adding a touch of artistry to the otherwise austere space.
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The Martin-Luther-Kirche is not just an architectural marvel; it is also a showcase of artistic and craft excellence. The church's only stained glass window, known as the Tauffenster, was created by the Offenbach painter and sculptor Bernd Rosenheim. This window, with its stylized lead glass design, incorporates the motif of the crown of thorns, adding a layer of symbolic depth to the church's design.
The altar block, pulpit, candle table, and altar cross were all crafted by the Darmstadt sculptor Hermann Tomada. These elements, made from stone, complement the church's overall aesthetic and create a cohesive visual experience for visitors.
The church's organ, built in 1965 by the Windesheim-based Gebrüder Oberlinger company, is another highlight. With 20 registers, two manuals, and a pedal, the organ is a testament to the craftsmanship and musical heritage of the region. Its presence adds a rich auditory dimension to the church's services and events.
The Martin-Luther-Kirche is more than just a building; it is a landmark that embodies the spirit of the Oberlinden community. Its modernist design, artistic elements, and historical significance make it a must-visit for anyone interested in architecture, art, and history.
As you explore the church, take a moment to appreciate the thought and effort that went into its creation. From the innovative design by Hans Georg Heimel to the artistic contributions of Bernd Rosenheim and Hermann Tomada, the Martin-Luther-Kirche is a true masterpiece of modern ecclesiastical architecture.
Whether you are a local resident or a visitor to Langen, the Martin-Luther-Kirche offers a serene and inspiring space to reflect, pray, and admire the beauty of modern design. Its presence in the heart of Oberlinden is a reminder of the community's commitment to creating spaces that nurture both the spirit and the senses.
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